Molloy wrote:You could contrast these three with a shooter where you only have to move your ship and hit a couple of buttons. There's plenty of hand-eye coordination and timing involved but the actual input is simple.
That's because in a shooter the complexity IS in the hand-eye coordination, whereas in a submarine simulator with a billion buttons the complexity is in the billion buttons, and how their various functions affect the sub's position compared to that of its opponents.
Molloy wrote:I'm a little bit confused when it comes to videogames what defines meaningful complexity.
Complexity that's
really complex, that increases the game's possibility space -- genuine complexity. Adding buttons that do nothing, for example, or that do things which other buttons already do, is meaningless complexity -- i.e. NOT COMPLEXITY. It only
seems to be real complexity to the dense and the feebleminded.
Molloy wrote:Even the best player can only concentrate on so many things at once. He's just better at prioritising what he does than everybody else.
Good. He then wins and goes home happy and everyone's happy. Nothing wrong with that -- that's the whole point.
Molloy wrote:At what point do you over-egg the pudding adding complications and render the whole thing meaningless?
It is a symptom of stupidity when someone thinks that it is POSSIBLE to make a game that is overly complex. First off, how could "adding complications" make "the whole thing meaningless"? -- WE HAVE DEFINED MEANINGFULNESS IN THIS CONTEXT AS ADDITIONAL COMPLEXITY! If someone is too stupid to understand how a game works, or his brain gets overloaded by all the button inputs and explodes, how is that anyone else's problem? There is always Pong for the mentally retarded and screesavers or movies for the physically incapacitated.
So a game can NEVER be made "overly complex" in general. It can only be made overly complex for a
specific being. When this being, however, attempts to take his standard of "excessive complexity" and apply it to EVERYONE ELSE IN THE UNIVERSE, then absurdity ensues.
So what may seem TO YOU overly complex, TO ME might seem stupidly simplistic, et cetera.
Worm wrote:Now, what I think you are getting at is that there is a limit to human reaction speed and precision that restricts the number or difficulty of the inputs a player can be expected to make. Maybe we can draw a hard limit someday with the help of computers, but of course that limit will be different from person to person, and they will have to prioritize their choices accordingly.
And in any case it is a mistake to only think of humans. The lower animals can play videogames too, as can the higher humans. Not to mention that the higher humans really have no limits in their speed, precision and reaction times -- because they can augment themselves infinitely by designing machines to help them. The desire to set a limit of some sort (Molloy's desire) simply stems from weakness and stupidity -- a sort of fascistic impulse that says "If
I can't enjoy this, then NO ONE should!"
milkycha wrote:The difficulty of reliably executing moves with strict timing/complex input is also subjective -- once you become proficient, it ceases to be difficult.
Nothing ever ceases to be difficult. Things become more or less difficult -- zero difficulty is a logical absurdity, just like zero temperature, zero beauty, zero strength, etc.
milkycha wrote:Now -- after endless hours of practice -- I can execute it 90-95% of the time; it has ceased to be difficult.
Wrong. It has become LESS difficult. This always applies:
Molloy wrote:Many fighting games have moves that are difficult to execute reliably. In tournament matches players weigh up the odds based on how reliably they can 'get the move out' rather like a snooker player decides he has odds of potting a certain ball.
...
milkycha wrote:What I'm saying is that the top Mishima players don't need to "weigh up the odds" of them being able to flawlessly execute their electrics
Wrong. They DO need to weigh up the odds -- and when they fail, even if they only fail to pull this move off once every 10 billion attempts, they pay the consequences. The "weighing up" of the odds always happens in games which require some sort of skill (i.e. in games which have not been rendered trivial, as for example something like tic-tac-toe).
milkycha wrote:Now, does the inclusion of the Electric Wind God Fist (among others -- the Electrics are hardly the most technical Tekken moves) add meaningful complexity to the game?
Yes.
milkycha wrote:Again, this is purely subjective -- what, if anything, is meaningful?
In this context, as defined in my
related article, meaningful complexity is complexity that increases the game's possibility space.
milkycha wrote:Does it mean anything that I've put hundreds of hours into the game, learning things like this along the way?
Yes, it means that the game is more complex than it would have been without that move. You have just not understood the way we use the term 'meaningful' in this context.
Molloy wrote:You can't have infinite complexity in every aspect of the game because it'd be more than the human brain can parse at once, or it'd take 100 years with 10,000 people playing each other to make sense of it.
Yes, lol. Just like full contact kickboxing, for example. It is infinitely complex, which is why the human brain cannot parse it at once, and it takes 10,000 years of people playing each other to make sense of it. That's why no one plays that game, lol. Never mind what they show on Eurosport -- it's pure lies and propaganda -- no one has yet managed to kickbox on this planet.
Molloy wrote:The StarCraft guys spend a ton of time wrestling with the interface because it doesn't allow you to queue anything very efficiently and everything needs babysitting.
What you call "wrestling with the interface" the "StarCraft guys" call "playing". Changing the terminology doesn't get you anywhere -- it's better to just be honest and state clearly what you like and what you don't like.
Molloy wrote:It often feels like you have to click five times where the designer could just have easily made you click once.
By adding a "WIN" button for example.
Molloy wrote:It's a very micromanagement focussed tactical game. If the interface wasn't so limiting and the units cannon fodder without personal attention they could have made the game complex in lots of other ways where it's now by necessity very simple.
Yes, they could have turned StarCraft into Civilization. In fact all games could be turned into Civilization with the appropriate interface changes. Ever wonder why they aren't? I guess not.
Molloy wrote:I think the scope of fighting games and FPSes is narrow enough that you can have much more physical input hurdles. But I think there's still probably a point where complicated input can cloud the complexity of the mind games.
Yeah, like, for example, how the infinitely complicated input system of the universe clouded the complexity of the mind games in, say, medieval Japanese samurai duels. Never mind Bushido and Zen: all those guys' brains were really clouded.
milkycha wrote:While complicated inputs require physical dexterity, they don't change the rules of the game.
lol
milkycha wrote:Using Tekken as an example again -- While the Wind God Fist gains bonuses (unpunishable etc.) for flawless execution
What sort of bonuses? And what does "flawless" execution mean? You either execute it or fail to execute it, right? What? It is an analog move?
milkycha wrote:Fighting games are all about knowing what to do when your opponent knows you know that he knows what your next move is going to be; the infinite outcomes are what makes it endlessly fun to play.
I have news for you: fighting games are NOT "endlessly fun" to play. So keep these Kung-Fu-movie-inspired rubbish comments for lamefaqs, thanks!
Molloy wrote:As you say it probably really comes down to taste and who the game is catering for. The ratio of different types of complication isn't going to please everyone. And there's a balance between the two because otherwise the game would be very one dimensional.
You just have to love it when people invent terms without defining them ("one-dimensional games", for example), and then throw them about in order to make it seem as if they are ACTUALLY SAYING SOMETHING.
Molloy wrote:There's too much for any one player to pay attention to at once, and the skill comes from deciding where to invest your time.
This is true in all games -- you are just seeing things in a fragmentary fashion and thus fail to grasp the continuum.
milkycha wrote:I was arguing that once one becomes highly skilled at the input dexterity aspect of the game, your point becomes a non-issue; the player isn't concentrating on physical dexterity as it has been ingrained in his muscle memory.
The player is always concentrating on physical dexterity in a fighting game, and indeed in all action games. No one has 100% execution rate on anything -- even a straight punch can go wrong if your finger slips and fails to hit the button.
milkycha wrote:Obviously, even the top player cant keep his eyes on everything that's happening in a game like TA; its physically impossible. But doesn't this tie in with what I said about endless possibilities?
What you said about "endless" possibilities was stupid. I doubt if fighting games have "endless" possibilities. I am not even sure what "endless" means at this point. You are most likely trying to say "infinite" but infinity is a very difficult concept to handle, even for me at this point, so let's leave it out of this.
Molloy wrote:The reason TA is appealing (to me) is the interface is driven towards queuing everything up so you can forget about it and do something else. This lets the player concentrate on the what players like to call macromanagement, rather than micromanagement. You don't have to concern yourself with the detail, except when you have the time. Whereas in many other RTS games you absolutely have to concern yourself with the detail because if your units are on 'move' rather than 'move-attack' they'll get massacred. The scope of most of these real time tactical games is much more limited by necessity.
By DESIGN... not by necessity. Necessity is when your computer is not powerful enough to do the things you want it to do. Design is when it CAN do them, and you tell him to do them.
Molloy wrote:This whole idea of wrestling with the interface is
something stupid that you imagined.
Molloy wrote:This whole idea of wrestling with the interface is only really unique to a few genres, and they're all relatively modern.
Bah. Modern interfaces are mostly dumbed down, if anything. You are just not very well versed in the history of videogames. Mind you, for an intelligent person there was NEVER a case of "wrestling" with the interface -- only of
playing with it. But I can see how many people would be so massively disadvantaged physically and intellectually that a stupid little videogame's controls would seem to them as a formidable challenge. In that case, they would employ terms like 'wrestling' to describe their interactions with them.
Molloy wrote:FPS, RTS, music game and latter day Vs fighters. I can't think of any very complex examples before that. Input has classically been very direct.
Exactly -- you "can't think". You got that right at least.
Molloy wrote:edit/update: when I think about it what I'm talking about with RTS isn't right. I'm talking about interface rather than execution. Everything you execute in any of these games is as simple as a button press. It's just that some require huge amounts of button pressing. It's volume rather than complexity.
Because of course as we all know volume has nothing to do with complexity.
Molloy wrote:I don't think anyone would argue that making the player click twice instead of ten times to do the same thing would be a bad thing.
No, of course not. And making him click once would be even better. With the aforementioned "WIN" button, for example. That would be best.